Two movies that couldn't be more different - but what can we learn from how John Wick: Chapter 2 and King Arthur - Legend of the Sword use onscreen violence?
Or punctuation, for that matter!
As our resident morbidly obsessed hypochrondriac, Emmet interviews scientist, educator and author Paul Doherty on the many interesting ways the human body can, er, snuff it.
Emmet asks Paul Doherty to explain how the project first came about, the book's use of gallows humour and what steps can be taken to resist the anti-science movement in the world today.
Jordan Peele's debut mixes horror and social commentary on race relations to impressive effect. Smashing the box office, this film has won over audiences in the States and is now screening in Australia.
Peele's greatest success with this scary and fitfully very funny movie is the passion pounding away at its core. The story concerns a young man Chris (Daniel Kaluuya), whose white girlfriend Rose (Allison Williams) invites him home to meet her parents, avuncular well-to-do liberals played by Bradley Whitford and Catherine Keener. Yet despite the kindness of Rose's family, Chris cannot escape the feeling that something is wrong.
Peele's script has Chris assume at several points that the problem is his being black - and that gets to the heart of out Get Out treats of racial tension.
Get Out is discussed within the context of films that have used the constraints of genre to explore social commentary - such as Starship Troopers, Children of Men, Night of the Living Dead and Idiocracy.
- Emmet O'Cuana
Guardians of the Galaxy Vol. 2 is back, with more tunes and more antics from this galactic misfits. Stevie and Emmet chat about the film and where it fits in the Marvel Studios. James Gunn has delivered a film that promises to get close and personal with Quill, Gamora, Drax and Rocket - but does it deliver?
Then Neevon Mohtaji from 2 Dollar Movie Reviews is back to talk Kiwi comedy Pork Pie, starring Dean O'Gorman (The Hobbit prequels, Trumbo, The Almighty Johnsons) and James Rolleston (Boy, from Boy, went and grew up!).
To quote Pauline Kael, this week is all about Kiss Kiss, Bang Bang.
Or just Bang Bang.
Stevie and Emmet talk violence in movies, from the taboo busting films of Arthur Penn and Sam Peckinpah, up to the work of James Cameron in the 80s and Michael Bay's stylised chaos.
Then Neevon Mohtaji from 2 Dollar Movie Reviews drops by to talk about Ben Wheatley's new film Free Fire, a movie that extends a gun fight to the very extremes.
This week's show is all about bullets and blood, with a run through of our favourite movies that use action and violence to make a point - or even leave a mark.
Two very different movies - one a historical drama directed by Mick Jackson of the David Irving libel case, and Nacho Vigalondo's curious horror rom-com Colossal - that feel very close to home today.
Rachel Weisz plays Deborah Lipstadt, a Holocaust historian who is sued in London by David Irving (Timothy Spall) for identifying him as a denier of the genocide of Jewish people in German concentration camps.
Denial also stars Andrew Scott and Tom Wilkinson and has a great deal of resonance to current events given its focus on freedom of speech and the abuse of same.
Colossal is an original and inventive picture by Spanish director Nacho Vigalondo that stretches from South Korea to rural America. This international production mashes up Kaiju monsters with the tropes of Hollywood romantic comedy and then serves up something genuinely startling.
While this vehicle of Anne Hathaway has been described as a metaphor for addiction, there is far more at work here. Stevie and Emmet dance around potential spoilers while trying to sketch out exactly why you should see this curious and powerful film.
Also Emmet tries to suggest a tagline for the film 'The personal is Colossal.'
This week's films run the gamut from the poignantly romantic to the perplexing and strange.
Stevie and Emmet review British romantic drama (made by Danish director, Lone Scherfig), Their Finest starring Gemma Arterton, Sam Claflin and Bill Nighy. Set in 1940, the film follows Catrin Cole as she negotiates the man's world of propaganda films during wartime.
Stevie then explains to Emmet why she's not sure about Olivier Assayas' Personal Shopper, a surreal vehicle for Kristen Stewart. Acclaimed by some, Stevie's not sure if it's brilliant or ordinary.
Neil Gaiman's Norse Mythology sets about retelling the stories of Thor, Loki and Odin in the author's voice. The book is an accessible and enjoyable read.
But in the telling of these stories, has Gaiman produced a piece of fiction, or is the retelling similar to a fanfic about your favourite superhero or starship captain? And if he has, should there be a stigma attach to that?
Stevie and Emmet discuss the book in relation to Gaiman's successful career as a storyteller who brings his dedicated following to his reinventions of DC/Marvel Comics properties or Doctor Who. The conversation then segues into Meg Downey's The Age of Transformative Works Has Changed The Rules of Compelling Narratives. What does it mean to tell stories today when there is competition between published authors and licensed creators with fans willing to produce novel-sized manuscripts on their favourite characters? For free, to boot!
Why is diversity being blamed for dips in publishing sales by Marvel Comics, when fan fiction readily caters to diverse audience? And has given rise to successful mainstream creators who first found a following writing about Potter, Buffy, or Twilight? What exactly lies behind the stigma against fan fiction?
It's the Ultimate Showdown of Ultimate Destiny....again! Lego Batman has Will Arnett's arrogant and conceited Caped Crusader confronted with his greatest fear - and a host of villains from too many movie franchises to count.
Stevie and Emmet discuss the Lego movie series and its blending of marketing and playfulness, the question of how Batman became dark and broody in the first place - and the endless cameos that will have long-term Bat-fans pleasantly surprised.
In A World....where Stevie and Emmet talk trailers: the good, the bad, and the upcoming.
How does studios target certain audiences to sell a picture? What about a movie that is in trouble - can a trailer make the difference in earning primo box office? What about trailers that are nothing like the finished film?
We talk some of our favourites from over the year such as Alfred Hitchcock's Psycho, Inherent Vice, Watchmen; how the rabidly uncommericial Coen Brothers films have been poorly served by previews for The Big Lebowski, A Serious Man, Hail Caesar!; and we discuss the upcoming Wonder Woman and Edgar Wright's Baby Driver.
As the man said, "L, L, L, you ring my bell."
Stevie and Emmet first discuss the latest X-Men movie, Logan (not for kids, okay), a fitting last stand for Hugh Jackman and Wolverine.
Then, they chat Loving, the civil rights story of Richard and Mildred Loving (played by Joel Edgerton and Ruth Negga).
Rounding out this week's chat is FX's Legion, again with the X-Men, and the small screen awesomeness and WTF going on there. The colours! So pretty!
Netflix is changing not only how we watch films and television - through its commissioning of original content, the streaming service is raising the bar by introducing a diverse range of content.
Stevie and Emmet discuss how Netflix is changing the game with its revenue model - and review the CW co-production Riverdale and Scott Aukerman's surreal variety show Michael Bolton's Big, Sexy Valentine's Day Special.
It's already late-February so let's get this over with. Stevie and Emmet list their most anticipated films of 2017, and say why they're looking forward to them.
Unsurprisingly, there's some overlap! Combined, the list includes Anna Biller's The Love Witch, Danny Boyle's T2: Trainspotting, Taika Waititi's Thor: Ragnarok, Blade Runner 2049, Luc Besson's Valerian and the City of a Thousand Planets and Edgar Wright's Baby Driver. Oh, and Logan somehow manages a reference in there too!
Stevie and Emmet ponder how to recommend films that need to be watched, but may not be of general interest, specifically Martin Scorsese's Silence, Rosie Jones' The Family and, briefly, Steve Oram's Aaaaaaah!
In Episode 2, Stevie and Emmet talk about movies that make them happy.
After watching Garth Jennings' Sing, twice, the pair discuss other happy movies including The Hudsucker Proxy, Wayne's World, Bringing Up Baby and Edgar Wright's Shaun of the Dead and Hot Fuzz.