Neil Gaiman and Terry Pratchett's Good Omens was a favourite book of Emmet's back in the 90s and over two decades later it has landed on Amazon Prime. Last year Justin Cronin's vampire apocalypse epic The Passage also was adapted to television (sadly it has since been cancelled. As a fan of both books, Emmet has thoughts on their televised iterations (Stevie didn't read the book, but also has opinions on the shows).
*Also Emmet messed up - the nod in the Roman sequence of Good Omens was to Spartacus, not Ben Hur*
Here we are folks, a movie franchise about a man who is on an unstoppable rampage of revenge, full of bloody violence - and we love it. We want more!
In this film, John Wick (Keanu Reeves) is stripped of all protections by the mysterious High Table and is forced to go on the rule, while his former allies are investigated by the Adjudicator (Asia Kate Dillon).
Also lots of dudes die.
Stevie and Emmet talk director Chad Stahelski's emphasis on stuntcraft, connections with other films - and the appearance of the one, the only, Jason Mantzoukas.
(For more of Priscilla Page's writing on John Wick, see her Twitter account, e.g. https://twitter.com/BBW_BFF/status/1129895235876581376 ).
*SPOILERS* *SPOILERS* *SPOILERS*
Well everyone else was doing one, so we did too.
A review of Avengers: Endgame that is.
So what did we make of this closing chapter to a series of 22 films? And is this the death of cinema, or just a good time at the movies that will in all likelihood make you cry? Listen to find out.
(Also we talk Hellboy...yes the new one).
We review Marvel's Captain Marvel and DC"s Shazam!, who used to be Captain Marvel....confused yet?
First up Brie Larson's turn as the galactic superhero who lands in the 90s. How does this character introduction in a film that acts as a bridging chapter between Avengers movies pan out? And what did Stevie make of the use of chart music from the mid-90s (spoiler - not a fan).
Then Warner/DC's Shazam! veers into a happier, sunnier superhero flick for that fictional universe (with occasional flashes of David F. Sandberg's horror credentials).
Where Captain Marvel has to introduce a new character, Shazam! feels like a tonal course correction for a studio. We were big fans.
Also if you are in Sydney on 26 April, check out the Ledger Awards ceremony at the State Library NSW for a celebration of all things Australian comics. For more information visit http://ledgerawards.org/
Us and Russian Doll are two special auteurist productions that defy easy categorisation.
Firstly Jordan Peele's Us delivers on its promise from the first shot of a strange fable about America, with nods to 80s horror. Then Natasha Lyonne's Russian Doll escapes the dangers of an autobiographical warning about the dangers of excess, by becoming an existential fable that soars.
Now only one of us went to see, um, Us, so it's a one-sided discussion, but we're both going this week. So take that as you will.
(Also this interview with 'Us' star Winston Duke by Scroobius Pip is well worth your time http://tiny.cc/edhm4y )
Stephen Merchant's comedy biopic of Paige, WWE star and the first of a new generation of wrestlers - is an absolute treat.
Heartfelt, touching, and very, very funny.
Also Nick Frost and Lena Headey are a revelation as the loving parents of Paige (played to great effect by Florence Pugh.
This is a great flick and well worth your time (also it stars The Rock!).
Apologies for the late episode folks, but it's been quite busy in the O'Cuana household. For one thing Emmet's got a comic out called Faraway, illustrated by Jeferson Sadzinski and Thomas Mauer - learn more about it here https://www.emmetocuana.com/news/2019/2/23/faraway-is-here-away
Speculating about the Oscars is clearly more fun *than* the Oscars. But the 2019 promises to be something of a shambles.
From missing presenters, to nominee controversy, there's a lot to shake one's head at.
But certain nominations - and snubs - have really got Emmet and Stevie's goat up. So that's what this episode is mostly about (also, Avengers Endgame and sad Steve Rogers, but that's more an aperatif).
The marketers have declared - seniors at the cinema means big dollars.
But while this commercial push for films aimed at older cinemagoers has produced some regrettable flicks - Last Vegas... - there are quite a few films about aging and reflection that are enjoyable.
Stevie and Emmet talk Tea With The Dames and Last Orders, two films that capture a generation of British acting talent.
This episode is also dedicated to the memory of Albert Finney.
Stevie, following a binge of Netflix's recent acquisition of You from Lifetime, wanted to know if the show has something to say about onscreen relationships.
In this episode we discuss other examples of emotionally abusive relationships on screen, from You to Gone Girl, and whether these productions represent a shift in how we talk about this topic since the days of the bunny boiler.
(Also Emmet manages to segue the conversation to Supernatural, because of course).
Ok well at least it wasn't a sequel to Bright.
Netflix has claimed some extraordinary viewing numbers over the Xmas season, with 45 million of you streaming Sandra Bullock vehicle Bird Box. Also social media went wild for Charlie Brooker's latest nihilist futurist vision Black Mirror: Bandersnatch (well 1980's futurism - look it makes sense when you watch).
Stevie and Emmet review the two offerings from the streaming service and question just how engaging a Netflix view is against a trip to the cinema - which has a dollar value attached.
Apologies for the late review, but Xmas descended suddenly and well - we didn't do it.
So here is part one of a bumper episode, with part two discussing how Netflix dominated the holiday season.
Mortal Engines is adapted from Philip Reeve's inventive fantasy series by the team behind the Tolkien films - but did they show the same grasp of how to play to the source material's strengths and invent more cinematic sequences?
Next up - Bird Box and Black Mirror: Bandersnatch.
Spider-Man: Into the Spider-Verse is the perfect Xmas present - a superhero film that is unashamedly comic book-y.
A coming of age story that nails each and every emotional beat.
Oh and it has Nicholas Cage!
Look you've already read the reviews of Robin Hood (2018) - in fact Folding Ideas anticipated almost Emmet's entire review!
He's not bitter but.
Antifa hoodies, Gulf War film tropes in the time of the Crusades and *that* Batman riff - there's lots to talk about here.
Also we visited Real Groovy in Auckland and give the store a shout-out (then rip-off the excellent 'What's in my bag' show from Amoeba).
Stevie raves about a whole bunch of films, instead of sticking to the 5*5 rule! Grrr. Arrg.
While the reputation of this film has been coloured slightly by the loss of director Michael Reeves at a young age, it remains a cult classic.
First off - happy birthday Stevie!
And here's her review of Shaun of the Dead.
A flop on its release - and apparently used as roadfill! - The Wicker Man is a pagan folk horror curiousity that has endured over the years.
It is easy to understand why the film remained one of Christopher Lee's personal career favourites.
It's the Exorcist - what more do you want!
Stevie revisits Friedkin's classic for her latest Halloween Horror Bite.
Jordan Peele's Get Out feels like a horror chamber piece Shirley Jackson and Ralph Ellison maybe put together during the writing of The Invisible Man. It is timely, brilliantly unnerving and heralds the arrival of a new horror director with a vision.
It's also Emmet's third Halloween horror pick.
Before bringing about the downfall of Asgard in Thor: Ragnarok, Taika Waititi gave us - Wellington. Or Vellington, as this Kiwi horror comedy depicts the town as being overflowing with supernatural creatures. Stevie explains her love of What We Do In The Shadows.
For his second horror flick recommendation, Emmet makes the case for George Romero's Night of the Living Dead. Not just a classic of the zombie genre, but a game-changer for independent cinema as well.
For the second Hallowee Horror Bite Stevie chooses Tremors - and gives a sneaky shout-out to Irish horror flick Grabbers.
Hereditary is our first pick for this Halloween season. Not just a good scary flick, but a genuine horror classic.
This year we're trying something different. From now until Halloween, Hopscotch Friday will be posting short reviews of our personal favourite horror films - in case you're looking for something to watch over the season.
This episode we review - Damien Chazelle's biopic of Neil Armstrong First Man, Tom Hardy's cannibal alien flick Venom, and the latest adaptation of Nick Hornby 'Juliet, Naked'.
And we also shout-out Fearscape from Vault Comics, by Ryan O'Sullivan and Ram V.