This week a slightly sickly Emmet and Stevie* discuss #DarkMofo.
*courtesy of a chill-inducing swim in the Tasman for Winter Solstice
Art, sex, music and sacrifice - the pagan antics on the island of Tasmania have caused controversy, but is there more going on here than sensationalism?
Despite attending only the tail end of the festival, there was still so much to see within the environs of Hobart, including:
Live performances from Einstürzende Neubauten and the Twin Peaks-inspired music of Xiu Xiu (see more here https://youtu.be/_rrK6UvAkLs)
James Brett's exhibition at MONA The Museum of Everything, which the curator uses to disrupt common understandings on the division between established art and 'outsider art'
And so much great winter food and drink, with Seven Shed's Fuggled Porter earning Emmet's stamp of approval http://www.sevensheds.com/cellar-door
The event also led, predicably to some controversy, giving rise to a letter to the Hobart Mercury that claimed -
"Parents are subjecting their children to a demonic and satanic culture that existed in the Dark Ages. At what cost this unexplained confused weirdness?"
https://www.instagram.com/p/BG3NavarufP/
Emmet mentions in passing during the discussion of Dark Mofo's mashing up of paganism and Christianity a William Blake's poem - so here it is:
The Little Vagabond
Dear Mother, dear Mother, the Church is cold,
But the Ale-house is healthy & pleasant & warm;
Besides I can tell where I am use'd well,
Such usage in heaven will never do well.
But if at the Church they would give us some Ale.
And a pleasant fire, our souls to regale;
We'd sing and we'd pray, all the live-long day;
Nor ever once wish from the Church to stray,
Then the Parson might preach & drink & sing.
And we'd be as happy as birds in the spring:
And modest dame Lurch, who is always at Church,
Would not have bandy children nor fasting nor birch.
And God like a father rejoicing to see,
His children as pleasant and happy as he:
Would have no more quarrel with the Devil or the Barrel
But kiss him & give him both drink and apparel.
Steve Carrell and Kristen Wiig return as the heads of a super(villain) family that everyone loves.
Also there are Minions.
Stevie and Emmet talk about how the film's treatment of blended families gives the slapstick some soul and how Trey Parker's villain, an 80s obsessed former child celebrity desperate to make his fantasies real, feels apt to today.
In the second half of the show Emmet discusses the Nick Broomfield documentary Whitney: Can I Be Me.
While the film examines the theories surrounding the singer Whitney Houston's sexuality and the revelations of drug use, it also features incredible concert footage from Rudi Dolezal that showcases how amazing a performer she was.
As always, you can find us on Facebook and Twitter, and give us a rating or review on iTunes.
This week we were very sad to learn of the death of actor Adam West.
While his career was indelibly linked to the television adaptation of Bill Finger and Bob Kane's The Batman, West also gave the character a truly iconic introduction to the world.
His Bat was a Pop Art essay in high camp, a performance that creators in comics and movies spent half a century responding to - sometimes aggressively. Glen Weldon, whose book The Caped Crusade we highly recommend, has commemorated the actor here.
In other news from film, we discuss what the critical drubbing received by The Mummy means for the next cab off the studio franchise rank Dark Universe.
Has the 'Marvel Studio formula' succeeded for any other franchise besides Marvel's own? And can it then be considered a formula?
When did movies become advertisements for other movies instead of telling self-contained stories?
As always, you can find us on Facebook and Twitter, and give us a rating or review on iTunes.
Neevon Mohtaji from 2 Dollar Movie Reviews returns to discuss the Armenian genocide drama The Promise.
Starring Christian Bale and Oscar Isaac, the film has attracted headlines for being a Hollywood production centred on the events of the Armenian holocaust - and for the online protests, particularly on imdb where the film has been downloaded thousands of times to dissuade people from viewing the film.
Neevon and Emmet discuss the film, as well as the protest's potential for straying into the Streisand Effect by drawing attention to the very events that would be buried.
As always, you can find us on Facebook and Twitter, as well as iTunes.