After an impassioned text exchange with guest Tan, Emmet agreed to watch Midnight Mass on Netflix.
This episode is the result of that text message! This is a spoilerific conversations folks, so if you haven't yet seen Mike Flanagan's offering, we recommend checking it out first.
This episode we talk about shows and movies that use violence for comic and satirical effect.
Firstly a very impressive Korean drama just released on Netflix called Squid Game. Then we compare the show's approach to using violence - be it extreme and upsetting, or comical - to the likes of James Gunn's Troma-esque The Suicide Squad and Eric Kripke's adaptation of comic The Boys.
(And if you make it to the end, Emmet delivers his rant about HBO's Watchmen!)
Remember Black Widow? The movie that inspired its own Marvel's Civil War between the star and studio?
Well we talk about it here!
(Mainly because Stevie watched it for a second time and has thoughts!).
And Emmet bites his tongue to not blurt out his Taskmaster nerd rant - but here's his favourite comic panel featuring the character:
Director David Freyne's follow-up to Irish zombie drama The Cured is this heartfelt coming out drama set in Co. Kildare.
Fionn O'Shea and Lola Petticrew star as Eddie and Amber, two gay teens just trying to survive school. Spotting that Eddie is equally estranged from their classmates, Amber proposes a solution - they pretend to date until they can finish school!
Shenanigans ensue. This is a sincere and heartfelt film, and the semi-autobiographical touches stir up memories of surviving the 90s for Stevie and Emmet also!
(and before the trip down memory lane, Emmet briefly touches on Kevin Smith's Masters of the Universe for Netflix and the apparent 'controversy').
"Cruella De Vil
Cruella De Vil
If she doesn't scare you
No evil thing will
To see her is to
Take a sudden chill
Cruella, Cruella De Vil"
Stevie and Emmet review Craig Gillespie's Cruella.
Is it a harmless camp foray into Disney villainy with a sidelong glance at the style innovations of Vivienne Westwood, or a heartless corporate product aimed squarely at merchandising aisles?
In other news, Emmet was recently interviewed by Zoran Ilievski for his podcast Graphic Nature, where he discusses coming to comics, a weird coincidence involving a lost script from the early 2000s and The Beating of Wings.
How does Emmet draw a long bow connecting Wild Mountain Thyme and Army of the Dead?
He finds a way.
Stevie and Emmet take a drive to Major Tom's in Kyneton to buy burgers.
More episodes soon.
...barring further incidents with our kangaroo neighbours.
In this episode:
'The Snyder Cut', officially known as Zack Snyder's Justice League, dropped this week on HBO's streaming platform.
The three year campaign by fans to restore director Zack Snyder's version of Justice League, which we reviewed in episode 42 with Dr Matt Finch, was endorsed by the film-maker and eventually the cast. Additional footage was shot late last year, in combination with original footage and special effects sequences.
If I could turn back time...Ezra Miller as The Flash.
So what did Tan and Emmet make of it?
Also you are strongly advised to check out Leslie Jones's delightful live tweet of Zack Snyder's Justice League here.
Well we cracked. We got Disney+ – after welcoming a wee kitten named Wanda into our house – and watched Wandavision.
We've got plenty to say about this latest show from Marvel Entertainment. In fact Emmet has a bee in his bonnet about whatever folks are saying about this weekly show that inspired intense speculation.
But there is a enough going on in this show, with stars Elizabeth Olsen, Paul Bettany and Kathryn Hahn succeeding to make some magical moments.
(And Emmet spruiks his comic The Beating of Wings, now printed and available at Ownaindi).
Save Yourselves! is an alien invasion dramedy with touches of horror starring Sunita Mani (from Glow, much-missed in this parish) and John Reynolds (Search Party) as a couple who escape to the country just as society starts to fall apart.
And they've just cut themselves off from the internet so for a number of days the couple remain blissfully unaware of their impending doom.
Emmet and Stevie discuss Save Yourselves as an unlikely response to COVID-pandemic and quarantine boredom, and its indie-feature budget inventiveness.
Just to note as well, this episode was pre-recorded before the latest lockdown in Victoria.
Shhh. This podcast has a kitten now - don't wake her.
Anyway, dozing cats aside, this episode Stevie and Emmet discuss the revamped Saved by the Bell, with returning stars Elizabeth Berkley, Mario Lopez, Mark-Paul Gosselaar and Tiffani Thiessen alongside a new cast of students returning to Bayside High.
And you know what? We loved it. Courtesy of writer/producer Tracey Wigfield and a game cast of actors, this is less a nostalgia-fest, and more an attempt to repair and restore a property with plenty of problematic elements that was simultaneously innocuous - and question why that was.
It's smart and fun stuff people, and pretty underrated as a show.
"Die Hard is a Xmas movie? You don't say!"
Insert Willy Wonka meme here.
Stevie and Emmet missed the boat on their planned 'unexpected Xmas movie run-down', but no matter! They're going to talk about Die Hard anyway. Because, as Stevie says, it's a good film anyway.
Also she has thoughts about Batman Returns she wants to share.
Emmet also raises examples of Die Hard-likes, such as Dwayne Johnson's Skyscraper (which we reviewed here) and the bloody good fun of Steven Yeun and Samara Weaving going on an office-workplace rampage in Mayhem.
With apologies to the guests Emmet invited to join him - here is a belated pilot episode for a dedicated podcast on every issue of Jeff Smith's Bone.
For a conversation about issues #1 and #2 of the comic, Emmet speaks to author, journalist and comic creator Anthony Castle https://anthonyncastle.com/.
The Queen's Gambit, based on Walter Tevis's novel, is the latest hit from Netflix.
Starring Anya Taylor-Joy, Marielle Heller and Moses Ingram, the miniseries explores themes of addiction and isolation through the experience of chess prodigy Beth Harmon.
Stevie and Emmet discuss the show, its treatment of addiction and the subsequent criticism of it within the press, and why Emmet is reluctantly going to watch The New Mutants.
First off, we open the episode with the ambition of reviewing The Queen's Gambit. That did not happen. We had too much to say about Lovecraft Country. So check back in with us next episode for that!
Instead Stevie and Emmet get stuck into a discussion of Misha Green's Lovecraft Country. Jonathan Majors, Jurnee Smollett, Wunmi Mosaku and Michael K. Williams are among the excellent cast-members of this horror series that centres the genre legacy of Lovecraft against the lived experience of Black Americans.
Scream, Queen! My Nightmare on Elm Street is a horror film documentary with a lot to say.
Focusing on the experience of actor Mark Patton, who starred as Jesse in A Nightmare on Elm Street 2: Freddy's Revenge, it explores the impact on the actor of the gay panic response to the homoerotic themes and imagery of the film.
Patton's candid and pained reflections on homophobia in Hollywood, and the wider world, in the era of AIDS and religious lobbyists targeting gay rights, form the spine of this emotional film.
Directors Roman Chimienti and Tyler Jensen also features the contrast of 'Freddy fans' who mock the perceived gay content of the film with advocates reclaiming both Freddy's Revenge, and Mark Patton, as an icon for queer cinema.
Stevie and Emmet discuss the film and the emotional highs and lows of this sensitive subject matter.
So as it becoming custom, we open this episode with an apology for the delay in posting!
2020 has been...eventful. And we are now living in country Victoria after escaping Melbourne's COVID-lockdown.
In a funk of post-move fatigue, we binged five Fast & Furious movies.
Turns out we have a lot to say about these films, from Vin Diesel's self-insert fantasy of an indomitable and virile hero-figure, to Lucas Black aging ten years in a scene, James Wan's prominence in Australian cinema and that bloody plane runway in Fast & Furious 6.
In our Emmy Awards round-up episode we mentioned the Hugh Jackman vehicle Bad Education. Here we go into the story of Frank Tassone – and shout-out to Laci Mosley's excellent show Scam Goddess which brought the Roslyn school district scandal to our attention.
But like everyone in Melbourne, we are still in lockdown, so instead of risking our lives to go see Tenet, we binged seasons 1 & 2 of Battlestar Galactica.
(Seriously don't risk your life to see a movie, it's not worth it).
Does the show live up to our memories of it? How about the controversial ending to the show, or how it handles politics, religion and paranoia as a genre show in a time before Game of Thrones mainstream plaudits?
Next month on Monday 21 September 2020, the 72nd Emmys will be held.
We haven't really discussed the Emmys before but this year has a cohort of nominees that caught our eyes.
From Succession, to Schitt's Creek, Watchmen to The Mandalorian, we give a quick accounting of our picks from the bunch.
This episode is a real sink and swim effort for any listener who hasn't played the Dragon Age video game series. Emmet reached out to Aimee Hart from Gayming Magazine after reading her article Here's Why You Should Play Dragon Age 2, Like, Right Now.
Following up on Aimee's piece, which identifies a number of ambitious themes featured in the writing for this much maligned game, this episode also touches on the gameplay, choosing the personality for main character Hawke, criticisms of Dragon Age 2, and how it sits with other entries in the franchise Dragon Age: Origins and Dragon Age: Inquisition.
On and Dragon Age 2 came out 9 years ago, so there are spoilers aplenty in this discussion.
And for fans of the series, here's Emmet's interview with Nunzio DeFilippis and Christina Weir the writing team behind Dragon Age: Blue Wraith, over on Deconstructing Comics.
Eurovision, a heady brew of camp and pop music, has finally landed in the consciousness of American pop culture zeitgeist thanks to this Netflix film starring Will Ferrell, Rachel McAdams and Dan Stevens.
Stevie and Emmet discuss the film, their connections to Eurovision, and throw in a nod to John C. Reilly flick Walk Hard: The Dewey Cox Story.
Emmet interviews Craig Cormick and Harold Ludwick on their book On A Barbarous Coast. A reimagining of the HMB Endeavour's arrival - it sinks - Cormick and Ludwick discuss how this fork in the accounting of Australia's history allowed them to reflect on how indigenous Australians have been excluded from the colonial record.
The authors also discuss:
Nick Hornby's High Fidelity was adapted to film in 2000, and now Ugly Betty's Sarah Kucserka and Veronica West have brought it to Hulu as a vehicle for Zoe Kravitz.
Stevie and Emmet talk about the television series, comparing it to the Stephen Frears/John Cusack flick from 2000 and the original novel. The gender-swap conceit is addressed, as well as the ensemble cast (Da'Vine Joy Randolph, Jake Lacy, David H. Holmes, Kingsley Ben-Adir and Rainbow Sun Francks) and how the show fails to properly update material to the times leaning on nostalgia.
Thinking to put their money where their mouths are, Stevie and Emmet then share top five lists for one another.
To listen, check out this playlist on Spotify.
Also, here is a list of album cover art by Elaine 'Sgraffito' Nic Cuana.
Oh and this was our 100th episode! Thanks for listening folks.
Alejandro Landes's film Monos has screened to rave reviews around the world. Our roving reviewer Neevon Mohtaji attended a screening back in March. In this episode, Emmet challenges Neevon to try and remember a film he saw two months ago, in the before-COVID-19 times!
For digital release details, Australian listeners should check Madman for updates. Stay safe folks!
Oh why oh why did we agree to this!
In the last episode Emmet joked about watching the sequence of films that led to Alien Versus Predator in 2004 - and a listener thought that was a great idea. Apparently this was more a geas than a simple request, so Stevie and Emmet watched:
The credit due to Randy Stradley, Phil Norwood, Chris Warner, as well as Mark Verheiden's comics work in setting this franchise in motion, published by Dark Horse, is also discussed.